ARTSCAPEOct 2016


'Melbourne-based artist Meg Cowell produces photographs of youthful female bodies in contrast with cloth, flowers and liquids. For these, she dresses her subjects in garments that are strongly infused with nostalgia and melancholy, such as floating dresses with ruffled necklines and lacy shifts in antique silks. Through the suggestive, sensual qualities of these fabrics, Meg constructs a dream space of feminine fantasy and illusion. While the work is full of a deep sensuality, the feeling is constantly in conflict with an incredible sense of coldness. The milky waters seem almost deathly cold, suggesting mortality, but are contrasted by the goose-pimpled flower of youth and the sinking fog of eternity. Image courtesy Flinders Lane Gallery.'

DAILY IMPRINTSept 2016


“My relationship with photography surfaced within the sloshing chemical trays of the Hobart College darkrooms,” says Meg Cowell. “In the gloom amongst the dripping taps, I relished, what felt to me like, the almost supernatural processes of chemical dips and rinses that created and sealed my camera’s vision. I was enthralled by the control that was possible at the various stages of decision‐making that managed exposure, cropping and tone. I loved how these choices – what to reveal and what to conceal – could be used to veil reality and create meaning.”

THE ART AND THE CURIOUSDec 2014


Melbourne based artist, Meg Cowell, photographs undulating feminine garments in, what appears, a vacuum of infinite space. The dresses, rich in hue and excessive in their skirting, are handpicked for their unique and romantic character: “Each garment has to speak to me in some way, to tell me what its wants me to do with it, as cosmic as that sounds.” The chosen articles of clothing are then photographed in a 1000-litre pool Cowell has installed in her inner-city backyard.

ART COLLECTORNov 2014


Melbourne based artist Meg Cowell photographs undulating feminine garments in, what appears, a vacuum of infinite space. The dresses, rich in hue and excessive in their skirting, are handpicked for their unique and romantic character. Cowell’s exhibition, The Sea, The Shore, presents a series of large-scale photographic works that illustrate this shift from garment to artefact. Through sophisticated direction, the artist creates vignettes of unique gowns, lingerie and couture as they bloom into new forms: for example, dresses appear flower-like, floating in the abyss.

HANDMADE FILMSJan 2014


Meg is an eclectic mixed drink; a tall glass of beauty and sensuality, generous helpings of that thing you get after 9 years of Uni and buckets of creativity. Her highly unique tableau photography is extremely time-consuming and painstaking (all that time in bathers and gumboots, wrinkly fingers and squelchy toes must get on a girl’s nerves), yet that snapshot in time, or as Meg puts it “capturing a fluid moment”, is as alive as any reportage leaping-a-puddle image.

SLR LOUNGE7th July 2013


‘The effect is sensual, tentative, and evocative of the sirens of the sea; alluring, mysterious, with a sense of dark fascination.’

20 MINUTES7th July 2013


‘Chiffon, silk and lace acquire heaviness and livelier tones on contact with water.’

FLAVOUR WIRE30th June 2013


‘ Meg Cowell’s hauntingly beautiful photo series To the Surface captures stunning period dresses as spectral figures floating through darkness.’

STYLE FRIZZ27th June 2013


‘Ghostly fashion for the love of art, that’s what Meg Cowell’s camera delivered though her two parts of the ‘To the Surface’ series.’

LOST IN E MINOR24th June 2013


‘Meg Cowell’s haunting dresses rise from the blackened void, revealing their ghostly feminine visage.’

TIME OUT14th June 2013


‘Meg Cowell’s haunting dresses rise from the blackened void, revealing their ghostly feminine visage.’

LIGHT JOURNEYS31st May 2013


‘The camera reveals satiny textures, florid colors and tendrils of fragile underskirt- suggesting an incipient process of osmosis, reminding the viewer of water’s symbolic associations with transformation.’

ADELAIDE MATTERSApril 2013